One day, mysterious red clouds begin to descend on the major cities of Earth. No one’s quite sure what they are or where they came from, but as you might expect, there’s plenty of panic and nerves to go around. Breathe Easy is the story of these clouds and their effect on the world, creating a global disaster movie that spans the globe in a new way. Shot in 15 countries, it broke the previous records for most shooting locations for a narrative film, and most directors for a narrative film.
Since this was the first thing I wondered about, Malafafone means cucumber in Hebrew, so there’s your MCND Fun Fact (TM) for this review right off the bat. I’m again reviewing a micro-short film, so with just two minutes to work with, writer / director Jono Freedrix keeps things very simple. A woman (Lesley Shannon) is preparing to meet someone special for the first time, getting dressed up while her goldfish (Dog — yes, the fish is named Dog) watches placidly, because what else can a goldfish do?
In 1644, England was in the third year of a bloody civil war. On one side were those who had stayed loyal to King Charles I, known as Royalists. On the other, the rebels called Roundheads fought for Oliver Cromwell and Parliament, attempting to limit the power of the king. Charles, they felt, had abused his power and deserved to forfeit his throne, which prompted many fierce battles throughout England. This is the situation when the movie Hex begins, and let me apologize now for letting my inner history geek out to play.
When you’re chasing your dream, you have to be ready to make sacrifices. Andy (Mark Turner) dreams of turning his neighborhood Italian restaurant, Scoppa, into the best one in New York — which is a tall order, especially since the place is small and the food is only so-so. But Andy has a dramatic trick up his sleeve, and it’s called Exses (Paul Casali).
Sometimes we all need a little fresh air and space to relax and recharge, and there’s an isolated old brick house in Somerset that offers just such peace and quiet for Joyce (Tracey Ann Wood). As The Redeeming begins, she’s just returning to the house of an evening as a bad storm rolls in, complete with warnings to stay off the roads and a sudden blackout. No sooner has the building been plunged into darkness than she hears a rattling at the door, followed by a voice pleading to be allowed inside.
Once there were three sisters in this family, but now there are only two: the youngest, Amy, disappeared some time ago, leaving her mother and siblings to comfort each other as best they can. I’ve said before that the disappearance of a loved one has to be unimaginably difficult for those left behind, though at least in Sightings each sufferer has others to cling to. As fragile and harsh as it might be, at least there is still a sliver of hope that a missing sister might yet return alive.
I’ve always thought that one of the worst things about going truly insane is the fact that you’re unaware of what’s actually happening. If you thought the protagonist — because ‘hero’ is totally not the right word — of Cabrito was out of his mind before, then Rosalita will prove otherwise. This is a full-blown, wake up screaming nightmare compared to the bad and unsettling dream of Cabrito, which makes me really wonder what will happen in the third installment of the trilogy.
Despite sayings like misery loves company and two can live as cheaply as one, there’s nothing at all fun or cute about living in poverty. In Cabrito, one young man (Samir Hauaji) is trapped in the most abject poverty as he struggles to keep himself and his mother fed and with a roof over their heads. But while the son suffers mainly in silence, his mother can’t stop telling him over and over what a failure he is.
Continue reading “Cabrito”