Spirits in the Dark

Even the worst workaholic probably has some kind of hobby to help them unwind. Granted, hobbies can sometimes get pretty specific and therefore incomprehensible to those of us who don’t enjoy whatever it is. I like to relax by playing quizzes on Sporcle, which to some might seem an awful lot like deliberately reliving high school where everything will be on the test, so I understand people thinking it’s weird. In the same way, I certainly wouldn’t be interested in the hobby Gil (József Gallai) enjoys in Spirits in the Dark.

Gil, you see, likes to explore abandoned buildings and doesn’t mind doing so after dark. You couldn’t pay me enough for this kind of expedition, and it isn’t because I scare easily, or at least not just that. I’d constantly be worrying about the ceiling caving in or the floor giving way. Anyway, Gil and his wife Stephanie (Beáta Boldog) both enjoyed this, so I guess they were made for each other. Sadly, both Stephanie and their daughter died in childbirth, leaving Gil to explore alone with his camera.

A deserted theater
See, this isn’t even a nice place to visit.

Then Gil discovers some mysterious footage on his computer, footage of someone exploring an abandoned building he’s never seen before. He finds the structure intriguing, but what really stuns him is a closeup image of a white crystal necklace exactly like the one his wife always wore. Managing to track the location down, Gil finds himself in a deserted complex of buildings, supposedly a former military complex, with the main structure also the site of the video. I was just thinking it looked like Pripyat when Gil agreed with me, and the place definitely has the same grey, institutional design as well the same unsettling air of having been hastily abandoned to the elements. As his eerie walk through the crumbling, deserted hallways continues, it’s as the mystery footage suggested — Gil isn’t alone. But what haunts these halls isn’t quite what you might think, and Gil faces an unexpected test of courage that goes far beyond ghosts.

There’s a beautifully scary slow build to this film, with every shadow hiding a secret and every half-seen movement a threat. Gil, still quietly grieving his loss, is a relatable Everyman — albeit one with a strange hobby — turned into an unlikely hero. The setting is a terrifying, palpable presence, with an atmosphere that weighs on you even through the screen. Best of all, the ending makes you think. It’s a creepy and compelling film from József Gallai, who also wrote and directed, that gives another layer to the usual abandoned building tropes. It proves that you never know what nightmares — or miracles — you might find when you explore off the beaten path.