It’s easy to get in the habit of thinking of some people as larger than life heroes. We’d all like to think that police officers, for instance, are incorruptible, or at least close to it. But they’re as human as the rest of us, and sometimes that will lead to them turning to the dark side, with consequences they might never have imagined. In Dragonflies Only Live For 24 Hours, two police officers take one fateful step that eventually leads them down a rabbit hole of corruption and lies.
Part of the problem is that Parker (Judson Vaughan, director of Burn) and Frankie (Karl Kennedy-Williams) are convinced they’ve been unjustly passed over for promotion. And it can really hurt, to feel like you’re being denied something you’ve worked hard for, for no good reason. Considering how far these two go to set things “right”, however, it’s very possible their boss just had a hunch he’d better promote two other guys instead. Frankie and Parker are great friends, though, who stick together even when one of them comes up with an idea that is, to put it mildly, bizarre. They’re a pretty good example of a shared psychosis, actually.
Anyway, they consider themselves to be firmly on the side of good as they scheme to go a step further than usual, preventing crime instead of just arresting the bad guys after they’ve already ruined (or taken) someone’s life. Of course, anyone who knows anything about Minority Report, either book or movie, knows that this idea is problematic at best, and these guys don’t even have any precognitives around. But as their plans and schemes grow more intricate and more deadly, it also gets harder to know who to trust, not to mention harder for the viewer to look away.
Kennedy-Williams and Vaughan have to carry the show, and they do so brilliantly, creating absolutely believable, fallible characters who are like brothers, joining forces against the world and breaking all the rules — and quite a few laws — in pursuit of a higher purpose. Unfortunately, sometimes the higher purpose gets a little blurry, and the old saying about fighting monsters definitely applies. The supporting cast does an equally stellar job of bringing the often dark world of the film to life. Throw in a little humor, a little irony, and some of the most ruthless schemes and unexpected twists you’ve ever seen, and you’ve got a four and a half out of five star film that takes the entire idea of a cop movie to new and impressive heights.