Most neighborhoods seem to have one house that attracts all the strange stories. Maybe everyone thinks it’s haunted, maybe it just seems cursed. We had a house like the latter a few miles down the road from where I grew up, where every new family that moved in seemed to have deeper problems than the last. Thankfully, after the illegal detainment incident someone realized the house was slowly sliding down the hill and it was condemned before anything worse could happen. In No Knock List, the house is far worse but also far more gorgeous, a rambling Victorian mansion that’s been converted to an exclusive bed and breakfast.
Reclusive owner Ms. Vangobels (the redoubtable and terrifying Maria Olsen of Marrtown) has lived there for years raking in money and never seems to spend anything, so rumor has it there’s a fortune hidden somewhere inside. Keith (Brian Stowell) grew up in that neighborhood and now he’s told his friend Lou (James Quinn) the story. They could both use some quick cash, you see, since they’re both recently escaped convicts. I’m not sure how they ever managed to join forces since Lou is a murderer headed for Death Row whereas I’m fairly certain Keith couldn’t kill anything larger than a mosquito without being crushed by the weight of the guilt, but there we are. Lou needs someone to bully and Keith apparently enjoys being bullied, so it works for them. Anyway, they need money and this seems an easy place to rob.
You know that can’t be true with Maria Olsen in charge, however, and soon their simple plan starts unraveling as they get caught up in the strangeness of the house and its inhabitants. Repairman Lee (Rick Montgomery Jr.) has only one eye but doesn’t miss much, acting as a creepy lookout for the even creepier Mrs. Vangobels. Maid Andrea (Emily Lapisardi, also of Marrtown) mainly just keeps her head down, trying to avoid getting on her boss’ bad side, and I can hardly blame her. There are plenty of other beings in the house as well, though most aren’t staff or paying guests — or even alive, probably — and since they seem to like bullying bullies you can imagine that Lou might be in for a rough time. But the next several hours won’t be easy for either Lou or Keith, and the choices they make will affect them in more than just this life.
Of course Maria Olsen couldn’t be more sinister, stealing all her scenes as she cautions her guests to follow the rules, with the “or else” strongly implied. Even she has her unseen superiors, but in her house she’s undeniably the queen and even a hardened criminal like Lou has no idea what he’s in for. Montgomery as Lee has a marvelous time chewing the scenery, while Lapisardi floats ghostlike in the background, more than a little overwhelmed but still doing her best. The house itself gives up its secrets only reluctantly, creating an effective slow build of suspense. There are solid special effects and a quietly creepy atmosphere that fills the house and haunts the characters. It might even make you think a little about how the person you are compares with the person you always hoped you’d be.