As a longtime fan of Star Trek and other sci-fi, I can’t even count how many times I’ve wished someone would hurry up and invent some form of faster than light travel already. I’d even take wormholes, despite how unreliable they often are in fiction. Sadly, these days the term ‘space race’ mainly seems to refer to corporations vying to be the first to mine huge quantities of gold and platinum from asteroids and possibly cause huge damage to the world economy in the process. There’s also the stuff about a “Space Force” coming from the general direction of the US capital, though sadly it’s hard to take anything from that part of the world seriously anymore. The movie Another Plan from Outer Space offers a somewhat more optimistic view of the conquest of space, even if coming back home is a little problematic.
By 2024, in fact, there are 521 colonists on Mars, which, also sadly, will never happen in five years, but we’ll pretend. The crew of the space shuttle Genesis I has just dropped off the latest batch of said colonists and returned to Earth, only to encounter some savage solar flares just before landing that instead cause them to crash. Tachyons were involved, and any Star Trek fan knows those are bad news. The five surviving crew members wake up in the middle of a desert with no idea of where they might be.
Reduced to emergency supplies amounting to little more than a canteen of water each and a couple of days’ worth of food, their situation is dire, especially since they can’t be sure anyone is looking for them, or if any searchers even know where to start looking. Commander Sam Strickland (Jessica Morris) reacts especially badly, to the general surprise of the rest, and Captain Raymond Jackson (Scott Sell) has his hands full keeping morale up. Then there’s the fact that Engineer Hudson (Augie Duke) has apparently had at least one full-blown hallucination. Dr. Koji Yushiro (Minchi Murakami) and Lieutenant Ben Brooks (Hans Hernke) seem to be holding up better, but tension is mounting as the hours tick by and there’s still no sign of rescue. Sam becomes increasingly erratic, and despite Hudson’s best efforts, they can’t be sure that the distress beacon they scavenged from the ship will reach anyone. With danger lurking in unexpected places, the crew is in serious jeopardy — and that’s before some truly inexplicable things start happening.
Despite the name, there are no space zombies involved as in Plan 9, but that’s probably for the best. The movie owes a lot to the classic Twilight Zone series, even having been filmed in black and white. It’s as much a survival tale as science-fiction, but it works equally well as both, with plenty of realistic relationships among the characters. The slow build at the beginning is perhaps a little too slow, and at times it doesn’t seem possible that these people have all been in the same small ship for nearly two years. For instance, one character has a picture of his infant son that apparently no one else has seen yet, and I find that hard to believe. But apart from the occasional hiccup, there are convincing performances and a good sense of the characters fighting against the situation as well as their own natures and limitations. Overall, it’s a solid, old-school science-fiction film that keeps you thinking, as all such films should.