Someone asked me yesterday if I’d liked the movie, and I had to say I wasn’t sure yet. I’m still not quite sure, actually, though that may be partly because, though I wasn’t sure what to expect, I certainly didn’t expect rock monsters. I’m no biblical scholar, but I’m pretty sure those aren’t even in the Apocrypha. All right, technically they’re fallen angels, but they look like rock monsters and they can get pretty mean.
So the Norse gods are still right in the middle of fighting everybody all the time, Thor is still “all muscly”, as Darcy (Kat Dennings) rightly points out, and Asgard still looks like a giant pipe organ, so all’s right with the world(s), basically. And pretty much the whole gang is back from the first Thor, and / or The Avengers, which is always nice to see in a sequel.
Continue reading “Thor: The Dark World”
Face it. Victorian England is perfect as the setting for a monster movie — any monster movie. It’s lit at night only by candles and lanterns, it’s often foggy, the sun doesn’t show up for days at a time, and nearly everyone is superstitious enough to believe in things like ghosts and, yes, werewolves. You fully expect to find a mad scientist around every corner, a curse on every crumbling manor house, and a terrifying creature lurking behind you every time you turn around. Late 19th-century England is the birthplace of every horror movie cliche, basically.
Yep, you get two reviews this week! In case anyone’s actually excited by that, though, I should add that this will probably not become a habit with me. It’s just that there was a new Anthony Hopkins movie out, and how could I resist that?
There’s a scene where Father Xavier (Ciarán Hinds, Amazing Grace, also soon to be Aberforth Dumbledore in the next Harry Potter flick), while talking to reluctant student Michael Kovak (Colin O’Donoghue), asks him what he thinks of the exorcism class. Now that’s not a question you hear every day. Michael’s reply is that he doesn’t know what to make of it. I mention this because I don’t know what to make of the movie, either.