Lucy

Lucy plays with electrical impulses, Matrix-style.

First of all, it’s wrong to say we only use 10% of our brain, or “cognitive capacity”, as it’s called here. The fact is, just sitting around listening to music lights up a good portion of the brain with activity, and concentrating on solving a problem involves even more, much more than a mere 10%. But it sounds good, doesn’t it? Admittedly it makes us seem like underachievers, but it also lets us imagine a time when the world will be a utopia simply because we’ve all figured out how to unlock our full potential.
Continue reading “Lucy”

The Avengers

Yeah, it's awfully stagy, I know, but you need the group cast shots.

You probably know the basics already: An impossibly powerful energy source, a Norse god or two, the original 1940’s superhero, a noted assassin, a narcissistic billionaire playboy inventor, and the world’s best archer. Okay, that last one ends up sounding a little lame summed up in so few words, but the effects of a well-placed exploding arrow should not be underestimated. Oh, and there’s an alien invasion. I almost forgot.

Continue reading “The Avengers”

Iron Man 2

Iron Man gleaming in the sun, repulsor ray at the ready.

The thing about sequels (usually) is that they get more expensive and more outrageous. If you destroy ten cars in the first movie, you have to wreck thirty in the next, and if you make it to four or five, you’re destroying two-thirds of the annual output of Detroit. And the ways in which the cars are wrecked get exponentially weirder. A pile-up on the freeway isn’t enough anymore. A few sequels down the road (so to speak), filmmakers apparently feel required to throw them at airborne helicopters or have them melted down by an erupting volcano or something.

Continue reading “Iron Man 2”